{"id":256,"date":"2023-11-29T15:12:32","date_gmt":"2023-11-29T09:27:32","guid":{"rendered":"https:\/\/onlinepeoplesnews.com\/?p=256"},"modified":"2024-01-07T14:40:43","modified_gmt":"2024-01-07T08:55:43","slug":"roger-waters-mesmerizes-santiago-two-nights-of-unparalleled-musical-brilliance","status":"publish","type":"post","link":"https:\/\/onlinepeoplesnews.com\/?p=256","title":{"rendered":"“Roger Waters Mesmerizes Santiago: Two Nights of Unparalleled Musical Brilliance”"},"content":{"rendered":"\r\n

Vijay Prashad,<\/strong><\/p>\r\n\r\n\r\n\r\n

\u201cStop the Genocide\u201d in white letters against a red background appears on the screens above the band\u2019s head, as the guitars tear through the night.<\/p>\r\n\r\n\r\n\r\n

\"Roger<\/figure>\r\n\r\n\r\n\r\n

Roger Waters performing.<\/strong><\/em><\/p>\r\n\r\n\r\n\r\n

\r\n\r\n\r\n\r\n
No one does a stadium show like Roger Waters. The music, of course, is resplendent, but so too are the soundscape, the images, the giant sheep and pig, the lasers, the films, the energy of the fans who\u2014despite the language differences\u2014sing along\u2026 \u201cDid you exchange a walk-on part in the war for a lead role in a cage?<\/em>\u201d It is a riot of emotions. The quiet calm of Santiago is broken by familiar sounds and necessary feelings: yes, we are here; yes, we exist; yes, we must resist.Santiago is a city\u00a0blistered<\/a>\u00a0by social inequality. For two nights, Roger Waters played at the Estadio Monumental in Macul, a commune of Santiago that is more middle-class than the rest of the city although still not immune from the sharp divides that produced the massive social unrest of 2019. Then Roger\u00a0sang<\/a>\u00a0a version of V\u00edctor Jara\u2019s\u00a0El derecho de vivir en paz<\/em>, with new lyrics for the new moment:<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n
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I can hear the CacerolazoI can smell you, Pi\u00f1eraAll fucking rats smell the same.<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n
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The\u00a0Cacerolazo<\/em>\u00a0is the banging of pots, a social protest that resounded from Buenos Aires (2001) to Santiago (2011 and then again from 2019 to 2022). There is a good reason to walk on the streets and bang pots every day given the permanent condition of austerity reproduced by people like Chile\u2019s former president Sebast\u00edan Pi\u00f1era, one more of the \u201cfucking rats\u201d that make life hell.There is the austerity, the demise of social welfare and decent work, and the rise of poverty and social despair. Then there are the sharpened contradictions, the anger that sometimes gives rise to hope in madmen (Argentina\u2019s incoming president Javier Milei is one of them) and at other moments, it gives rise to disorganized and organized forms of dissent.A sheep flies over the tens of thousands of people in the stadium. It is the physical cognate of the song that flies off the stage, a paean to the atomisation of people in society by this State of Permanent Austerity and of the necessity of resistance.<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n
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Through quiet reflection, and great dedicationMaster the art of karateLo, we shall rise up,And then we\u2019ll make the bugger\u2019s eyes water<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n
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Why not? Why not rise up? Sure, run like hell, run as fast as you can from the forces of repression that want to manage the contradictions of austerity. But then\u2014as Roger does, as that sound of the hammer battering down your door quietens\u2014take off the shirt that says, \u201crun like hell\u201d and put on one that says, \u201cResist.\u201dThe guitars tear through the night, the lasers flash to infinity, and the desire increases to rip off one\u2019s fear of the State of Permanent Austerity and to rush into protest. But the images are chosen carefully. This is not a call for action without strategy. \u201cMaster the art of karate,\u201d sings Roger. Like the\u00a0karateka<\/em>, dedicated study is needed, and the battlefield must certainly be approached with care to \u201cmake the bugger\u2019s eyes water\u201d and to do that with careful strategy.The hammer\u2019s sound is both that of the march of the police\u2014in Chile the hated Carabineros\u2014and the banging of the tools of the people, including the pots and pans. The stadium is engulfed by the madness of the electric guitar (particularly when Dave Kilminster has his eyes closed and his fingers aflame), heartbeats symphonised drawing people into Roger\u2019s bar, a bottle of mezcal on the piano, Roger with his arms in the air, the night sky clear and hopeful because not far away is the dawn.Universal Human Rights<\/strong>About 5 kilometers from the Estadio Monumental is the Estadio Nacional, where V\u00edctor Jara was assassinated by the coup regime of Augusto Pinochet 50 years ago. A few days before Roger\u2019s show in Santiago, Victor\u2019s wife, Joan Jara died, but their daughter Amanda was there to listen to Roger recognise the assassination of V\u00edctor Jara and to Inti-Illimani open the show with a tribute to V\u00edctor, including singing a full-throated version of\u00a0El derecho<\/em>, itself a tribute to Ho Chi Minh and the Vietnamese fighters.<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n
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Donde revientan la flor<\/em>Con genocidio y napalm<\/em>(Where they burst the flowerWith genocide and napalm)<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n
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Jorge Coul\u00f3n from Inti-Illimani belted out those lines with a kufiyah around his neck. Roger, with his acoustic guitar and kufiyah and with the haunting voice of Shanay Johnson alongside him, sings,\u00a0lay down Jerusalem, lay your burden down<\/em>.<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n
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If I had been godI would not have chosen anyoneI would have laid an even handOn all my children everyoneWould have been contentTo forgo Ramadan and LentTime better spentIn the company of friendsBreaking bread and mending nets.<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n
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\u201cStop the Genocide\u201d in white letters against a red background appears on the screens above the band\u2019s head.Roger was born in England in 1943 to a communist mother, Mary Duncan Whyte (1913-2009). His father\u2014Second Lieutenant Eric Fletcher Waters, also a communist\u2014was killed in Italy in 1944 (immortalized in my favorite\u00a0song<\/a>,\u00a0The Gunner\u2019s Dream<\/em>\u00a0from\u00a0Final Cut<\/em>, 1983). Five years later, the United Nations crafted the\u00a0Universal Declaration of Human Rights<\/a>. That text is the foundation of Roger\u2019s beliefs (\u201cI don\u2019t know when I first read it,\u201d Roger tells me after the show, but he refers to it often, including in his shows). The fierce defense of human rights governs Roger, his anti-war sentiment shaped by the loss of his father. It is this universal faith that drives Roger\u2019s politics.\u201cAre there paranoids in the stadium?\u201d Roger asks. We are paranoid not because we are clinically ill, but because there is an enormous gulf between what we know to be true and what the powers that be tell us are supposed to be true. Roger Waters stands for human rights, including the rights of the Palestinians. We know that to be true because that is what he says, and he acts according to that belief. But the powers that be say that what Roger says is not true and that in fact, he is antisemitic.A consequence of the powers that be is that they\u00a0tried<\/a>\u00a0to cancel his show in Frankfurt and\u2014weirdly\u2014all the hotel owners in Argentina\u00a0refused<\/a>\u00a0to allow\u00a0him<\/em>\u2014but not his band\u2014a room in their establishments (he had to stay at a friend\u2019s house in Uruguay). When Katie Halper and I asked him about this attack on him, Roger\u00a0responded<\/a>:<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n
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My platform is simple: it is [the] implementation of the 1948 Universal Declaration of Human Rights for all our brothers and sisters in the world including those between the Jordan River and the Mediterranean Sea. My support of universal human rights is universal. It is not antisemitism, which is odious and racist and which, like all forms of racism, I condemn unreservedly.<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n
\r\n\r\n\r\n\r\n
Roger says this over and over again, and yet, over and over again the powers that be malign Roger. \u201cI will not be cancelled,\u201d Roger said in Birmingham at a concert. And why should he be? The attempt to cancel critics of Israel had some impact in recent years, but no longer carries weight: the atrocities of Israel against the Palestinians in Gaza have produced new generations of people who see the hideousness of the Occupation and refuse to bow down before the powers that be. \u201cWe need more than a pause\u201d in the bombing of Gaza, Roger said from the stage in Santiago, \u201cbut a ceasefire that lasts forever,\u201d the soundtrack to that sentiment produced by the saxophone of Seamus Blake and the lap steel of Jon Carin.The show opens with Pink\u2014the lead figure from\u00a0The Wall<\/em>\u00a0(1982)\u2014in a wheelchair,\u00a0comfortably numb<\/em>. In the second half, Roger is in the wheelchair in a straitjacket, thrown in there by orderlies of the powers that be.\u00a0Is this the life we really want?<\/em>\u00a0It better not be.\u00a0I\u2019ll see you on the dark side of the moon<\/em>.Roger Waters\u2019s This is Not a Drill\u00a0tour<\/a>\u00a0moves on to Lima, Peru (November 29), San Jos\u00e9, Costa Rica (December 2), Bogot\u00e1, Colombia (December 5), and ends in Quito, Ecuador (December 9).<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n

Vijay Prashad<\/strong>\u00a0is an Indian historian, editor, and journalist. He is a writing fellow and chief correspondent at Globetrotter. He is an editor of\u00a0LeftWord Book<\/a>s\u00a0and the director of\u00a0Tricontinental: Institute for Social Research<\/a>. The views are personal.<\/p>\r\n\r\n\r\n\r\n

Source:<\/strong>\u00a0This article was produced by\u00a0Globetrotter.<\/em><\/p>\r\n","protected":false},"excerpt":{"rendered":"

Vijay Prashad, \u201cStop the Genocide\u201d in white letters against a red background appears on the screens above the band\u2019s head, as the guitars tear through the night. 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